Kate Withers - 'Painting Space'

 Remembering my time at Dead Horse State Park .. smoldering red sunset .. last glow over an immense landscape.  This was an experiment to see if I could accomplish a tonal painting .. colors that are similar and close in values .. using restraint. Plus I wanted to use some of my many red and violet oils without doing flowers ..the usual way to use lots of reds. Here is my impression from that famous viewpoint ..  acquire at Gallery 24 - Torrey Utah

8x10            oil on canvas             Sold Here in Capitol Reef country.. huge spectacular clouds are frequent during the summer monsoon season. They dwarf the massive rock formations below.. rising and floating over the land like an alien armada.. and just when you aren't paying attention.. they disappear.. or they might evolve into a fast-moving deluge.  Best to be prepared if you are out and about in this glorious changing landscape.

Finding the right colors for this piece was a challenge..paints are so limited in their range.   Many of the colors used in this piece are straight from the tube.. no white at all.  My inspiration was the intense molten colors of sunset on the rock formations near Torrey.. the beginning of the magic hour.  8x10      oil on canvas Private Collection

12x12         oil on canvas         Sold An impression of the late afternoon light... stylized Grand Canyon formations as seen from the Tonto... some of the best views can be found on this vast plateau... halfway down to banks of the mighty Colorado River.  Magical times. ** Update:  This painting no longer exists .. it has evolved into a much bluer version.. see it here .

5x7  oil on canvas panel   SOLD An oil study from a different perspective.. a bird's eye view above the northern canyons and the turquoise waters of Lake Powell in Utah... truly a painter's paradise.

6x6    oil on canvas     SOLD A quick study from the Lee's Ferry area...here the Colorado River flows swiftly down from Lake Powell.  This is the only spot to launch a boat and enter the Grand Canyon.. a thrilling adventure.   There is a great campground nearby.. but you wouldn't want to be there in the summer.. 100˚plus.  Fisherman prize this stretch of the river.. and if you stay in one of the quaint lodges nearby.. you will be sharing the space with fishermen, avid hikers, intrepid travelers, photographers.. and painters! Go there.

8x10       oil on canvas panel        NFS A quick preliminary oil study for a much larger painting which took many months and constant re-painting to finish... after all that.. I actually like this small piece better. (There must be a moral somewhere in this :)

Off for an extended plein-air painting camping expedition for a month.. so this studio piece will have to wait until I return. Here is how it stands as of this morning.  Really been hot here in the desert and in the studio.. looking forward to the high elevations of Utah!

Here is the design I will be working with.. this is a fairly complete underpainting from which to adjust colors and values.. just a normal stage in development of the concept.

Here are the first layers of color... mainly ultramarine blue, manganese thalo, cadmium red deep, cadmium red light and a little naples yellow. I will be expanding this limited palette somewhat.. but this piece is based on a blue/red concept. You can see the shapes are taking on a life of their own already. Long ways to go....

Started a new painting from one of my photos taken in early fall... the Paria River Canyon area.. 24x24 oil .. one of my favorite areas.. a relatively unknown vast high desert region of the Grand Staircase NM.. just on the border between Arizona and Utah. A painter could spend a lifetime in that wonderland. Here are two versions of the structure.. the initial layin.. a de-saturated version and the drawing I did on the canvas with my brush... prussian blue over a dried flesh-colored acrylic wash.. just to seal the canvas and cut the white glare. I find this the only good use for any 'flesh' named paint.. the earth as corporeal. Onwards!

I decided on changing the shapes of the foreground rocks and tweaking the other forms somewhat. Also you can see the first layer of color on the water. I want to make it look like still dark water with a glossy foreground bow wake.. coming into 'sanctuary' for the night.

I thought this painitng was going to be rather easy to do...no such luck. I am still working my way through the rock structures and trying to decide if I need to make it warmer or cooler. Slow going on this...here is the current version as of this evening. I am also in the middle of creating a new website from scratch...so my studio time has been usurped. Gotta be done tho!

Here is today's effort.. more painting on the rocks and the dark dark underpainting for the water. After this dries somewhat.. I will apply thin paint in lighter colors for the reflections.. but the rocks need to be mostly finished before attempting this.

Taking the underpainting from the previous post further... refined the drawing of the shapes and experimented with this uncommon limited palette: naples yellow, jaune brilliant, yellow ochre, orange ochre, mars violet, permanent madder, cobalt turquoise, cobalt blue and mineral violet... basically using the complementary pair.. yellows and purples. I can mix wonderful soothing colors from this combination.. the mood and light of this must be maintained by close values and subtle temperature changes within the shapes. Interesting!

Here is the initial underpainting of my current project.. cobalt turquoise and magenta only.. 20x30 canvas. This will be painted from a photo I took while working at Lake Powell one summer while on one of my many houseboat expeditions. The concept is on feeling.. the quiet hour at sunset looking for a good place to shelter the boat for the night. The water is usually calm then... the desert winds dying down... the massive rocks veiled in soft grayed colors. Peace reigns.

24x24     oil on canvas I decided on a major change... now there is a larger juniper tree in the foreground and more bushes on the slopes. I needed to break-up the orange shape on the right.. it was too much and was competing with the main focus.. the towering citadel of stone. I also needed to balance the dark masses ..more of an entrance feeling. So don't be afraid to go for it.

Finished!.. [well except for a couple more strokes of paint]. On to the next project.. I'm thinking skies. The early spring skies have been amazing here in southern Nevada.. and I feel I want to do something more abstract and not as detailed. I need a break!

About 7/8 done.. getting closer. These large paintings are fun but can take a long time to complete.. probably a couple more days [weeks] in the studio. You can compare this version to the earlier underpainting post and see how it has evolved. Colors used are a fairly limited palette... naples yellow, cad orange, two earths [light red and terra rosa], two blues [prussian and ultramarine].. and a violet. 24x24 oil on gallery-wrapped canvas. Onwards.

Okay... after procrastinating and generally goofing off... I am back in front of the easel. The above image is of a large 30x40 canvas I have been working on seemingly forever... on and off for a couple years anyway.. an intimate view just below the rim of the Grand Canyon. I will try to finish it so I can start another big beautiful painting.. this time of one of my favorite places in the Southwest.. Lake Powell. I am focusing on large work now...small paintings are good to practice a technique or try out an aspect of color theory.. but the real thrill is in painting big.